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Below are excerpts from the feature articles in Issue #132.
Order this issue to get the full stories.



 

"Yes. We must go there," agreed my friend Nelson Meirelles. I was visiting Rio de Janeiro in March 2006 and as we were walking around the Feira de Sao Cristovao we chanced upon a small dancehall, actually just a shadowy space between the back of a restaurant and a concrete wall where a bunch of boozed-up rustics from the North were aggressively skanking to a very unusual sort of reggae. The music was punchy and fast, a sort of lovers rock sung in incomprehensible English by vocalists who sounded a lot like Eric Donaldson...

It's one of the coldest days of the year, and Ziggy Marley and his band are in the middle of a sound check prior to their sold-out performance at the Fillmore Theater in San Francisco. Strumming a custom-made rhythm guitar and bundled up in an oversized Love is My Religion tour jacket, Bob Marley's oldest son cuts a striking figure against a backdrop that spells out LO-V-E...

As usual, our contentious panel of experts was all over the map with its choices, but when all the dust settled it was the brilliant Cuban/Congolese fusion of Kekele, glossy Ethiopian techno from Gigi, and then it was all about Mali, with outstanding recordings by Toumani Diabate, Salif Keita and Ali Farka Toure that provided the soundtrack for 2006.