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Below are excerpts from the feature articles in Issue #110.
Order this issue to get the full stories.



 

Festival in the Desert

The Festival in the Desert would appeal nearly as much to readers of National Geographic as to the avid music lover who devours The Beat. Combine the crystalline beauty of the Sahara with the nomadic Touareg culture, replete with ancestral splendor, and you have an ideal setting for the most exotic music festival ever.

Essakane is remote: 1,000 kilometers north from Mali's capital, Bamako. A great deal of the journey involves driving by 4x4 or other rugged vehicle over unpaved sand tracks...



Cheikh Ndiguël Lô

Like the patchwork clothing he dons, Cheikh Lô is a man of many parts and colors. At the heart of his creative work, however, is a family man who burns with spiritual passion.

In his home country of Senegal, Cheikh Ndiguël Lô is a difficult man to find. He lives quietly in a small town just far enough away from the frenetic capital of Dakar. He seldom performs in his homeland. But his international reputation precedes him when he ventures into Europe or the United States, and his concerts there are cause for celebration...

Hugh Masekela

Hugh Masekela: King of South Africa's royal jazz court, eternal funkster, self-styled "man with a horn," from musician/bandleader to mentor, commentator and cultural ambassador at large. How can we put our finger on the root of his music? The sheer volume of product he has pumped out over the past 40 years thwarts such an exercise. His prolific use of musical collage defeats categorization. Clearly his career cannot be known in its totality, and that's all right, because we dig the vibe of the music and the man that struts behind it.

Born near Johannesburg in 1939, Hugh Masekela has traversed the globe with his triumphant trumpet and played with almost every pivotal musical figure in the past four decades, including Nigeria's Fela Kuti, Zimbabwe's Dorothy Masuka, Zaire's OK Jazz, the Crusaders, Herb Alpert and Paul Simon, as well as many South African jazz and pop icons...



Bob Marley Days

All notions of Making Long Beach's annual Bob Marley days a dancehall versus roots affair now seem to be gone for good. Thus I showed up for a day of reggae sans subtitles, fairly certain I would be able to come up with my own adjectives to describe what I heard and saw...

Monty Alexander

The distance between the heartbeat of the Rastaman in the hills of Jamaica and the swinging jazz legacy of 52nd Street in New York might seem substantial, but in his career pianist Monty Alexander has managed to forge a tight connection between the two. Despite jazz credentials that extend to the music's core -- associations with Milt Jackson, Ray Brown, Dizzy Gillespie and Sonny rollins -- Alexander has never abandoned his Jamaican heritage, and as a result, he occupies unique territory in the history of the two genres...